do novel writers need to make exceptional beings of their characters?

In the French literature part of the baccalauréat exam my daughter (and 170,000 other French students) took on Tuesday, the essay was about the above. It was quite a congenial theme and she seems to have enjoyed the opportunity to review her favourite books to argue the point. (She however declined to write a shorter version for the ‘Og, even in French..!) I wish I had time to expand on this, as it is a fairly rich field for arguing both ways, from Rabelais’ Gargantua and Dumas’ D’Artagnan to Melville’s Bartelby and Raymond Carver‘s characters (who often even remain unnamed). Opposing Flaubert’s Emma Bovary and Maupassant’s Jeanne for instance. Although my daughter considered Emma was in the “ordinary” camp… And discussing the characters in The Grapes of Wrath since this was one of the included texts. In my conclusion, despite advices not to answer the question in a definitive manner, I would however lean towards the quantum physics analogy that writers impact on the exceptional nature of their characters, since they become exceptional if only by appearing in the novel… (Check a mediocre online correction.)

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