the girl with the spider’s nest [book review]

“..the Millennium Trilogy was messier and more eccentric than much popular fiction, a genre that can lean towards standardisation. Lagercrantz’s continuation, while never formulaic, is a cleaner and tighter read than the originals…” The Guardian

“…while Mr. Lagercrantz never makes the N.S.A.’s involvement in the case Salander and Blomkvist are investigating remotely convincing, he writes with such assurance and velocity in the later portions of the book that he powers through these more dubious passages.” The New York Times

Millennium is a bit like chocolate addiction, when I carefully pack away the remains of a Lindt tablet, only to get back to it for another row half-an-hour later… The style of the series is rudimentary, the story is just implausible, the message is shaky, as explained in my earlier reviews, and still, still, I just got back from binge reading a new volume, even though it was written by another author. David Lagercrantz. Who also managed to write a biography of both Alan Turing and a (former Paris) footballer competing with Chuck Norris…

I had misgivings, to start with, about another author taking over the commercial massive success of the previous author (towards a further commercial massive success, apparently, to judge from the 7,575 customer reviews there!). With much less legitimacy (if any) than, say, Brandon Sanderson taking over Robert Jordan to complete the Wheel of Time. (Although this sequel is completely legit, since Stieg Larsson’s family controls his literary estate and hired David Lagercrantz.)  On the other hand, I do not have the highest respect for the literary qualities of the series, beyond inducing a remarkable crave for the next page that kept me awake part of both nights when I read The Girl with the Spider’s web. A feature that, in my opinion, relates to the essentially commercial nature of the product (and that is compounded by the mere £3.00 it cost me in a Coventry supermarket!).

Without getting into spoilers, the current story revolves around the complicated family tree of Lisbeth Salander, the endless fight of the Millennium editors against market forces, the murky waters of hacking and of intelligence companies, plus some lines about NSA’s Egotistical Giraffe, quantum computing, public-key encryption, and resolution by elliptic curve factorization. Story that remains as enjoyable as the previous volumes, even though it may be lacking in the psychology of the characters.  Given the extreme implausibility of the intelligence central plot, I am rather surprised at the very positive reviews found in the press, as shown by both quotes reproduced above…

One of the threads exploited in the book is the threat represented by super-intelligence, that is when AIs become much more intelligent than humans. This should ring a bell as this is the theme of Super-Intelligence, the book by Nick Bostrom I reviewed a few months ago. Although this volume of Millenium only broaches upon the topic, and while there is no reason to imagine a direct connection between both books, even though Lagercrantz may have read the popular book of a fellow Swede, I find the setting both amazing and so representative of the way the book ingratiates itself into the main computer culture memes.

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