record of a spaceborn few [book review]

As in the previous two volumes, the cover of this Becky Chambers’ book is quite alluring. As is the title. The story is a medley of intermingled individual stories revolving (!) around the Exodus Fleet, the massive spaceship that humans boarded to escape a dying Earth. The universe of this third volume in the Wayfarer trilogy is both the same and not the same as in the earlier books, as it almost uniquely takes place on that ship and plays on the “us versus ’em” theme, unlike the other books, which were both tales of travel and of reaching a destination. Here the only (!) destination is finding one’s place in this finite and claustrophobic environment, with utopian dreams of a truly communist or anarchist society, although there are, as always, cracks in the system. The story is not “going anywhere”, in the sense that the natural order of things has not changed by the end of the book, which some readers may find disappointing, but the individuals therein have definitely moved to other planes of consciousness. In that sense, it is a more profound book than the previous two as the focus gets more and more psychological [and less space-operatic!]. Rereading my earlier book reviews, I was already noticing the first book as being homey (in that most of the long way to a small angry planet takes place in a confined tunneler ship)  and the second being more homey. Already revolving on a closed and common orbit indeed. I also find it quite significant that record of a spaceborn few stands as a finalist for the 2018 Hugo Award for Best Novel. As it indeed carries a deeper message than an action packed novel or a book overfilling with boundless evil. If there was such a thing as an Ursula Le Guin prize, it would definitely deserve it. There was something of an Hainish feeling to record of a spaceborn few

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