Rashomon, plus 47 ronins, plus…

Another chance encounter (on Amazon) led me to read a graphical novel entitled Rashōmon, by Victor Santos. Which uses the same short stories from Ryūnosuke Akutagawa as Akira Kurosawa in his superlative film, if not with the same intensity. (The very first sentences are inspired from the first pages of the book, though.) And in a second part builds upon the tale of the 47 rônins which I read last summer in Koyasan. Plus a possible appearance of Miyamato Mushashi, the great 17th Century swordsman (depicted in two wonderful novels by Eiji Yoshikawa). While this is historically impossible, since Rashōmon takes place in the 12th Century and the 47 rônins acted in 1702, the theme cementing the story is the presence of a detective named Heigo Kobayashi, who “solves” both crimes but is nonetheless outsmarted by the novel “femme fatale”… Without a clear explanation as to how she did it.

While I found the rendering rather entertaining, with an original if convoluted drawing style, I was rather disappointed at the simplistic and Westernised adaptation of the subtle stories into a detective story. Calling upon (anachronic) ninjas as if the historical setting per se was not exotic enough. And the oddly modified role of the main female character into an Hammet-like heroin kills the ambivalence that is central to both Akutagawa’s and Kurosawa’s versions.

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