Thin Air [book review]

When visiting Vancouver last December [at a time when traveling was still possible], I had the opportunity to revisit White Dwarf Books [thirty years after my first visit] and among other books bought a Richard Morgan‘s novel, Thin Air, that I did not know existed and which was recommended by the [friendly] book seller. As superior to Morgan’s foray into dark fantasy (that I did not dislike so much). As I had really enjoyed the Altered Carbon series, I jumped on this new novel, which is a form of sequel to Th1rt3en, and very very similar in its futuristic pastiche of tough detectives à la Marlowe, dry humour included. A form of space noir, as The Guardian puts it. I sort of got quickly lost in the plot and (unusually) could not keep track of some characters, which made reading the book a chore towards the end. Thanks to the COVID-19 quarantine, I still managed to finish it, while home cycling!, the very end being more exciting than the beginning drudgery and the predictable sex scenes bound to occur in every of his novels. The Martian world in the novel is only alluded to, which makes it more appealing, despite the invasive jargon, however it sounds too much like a copy of our 20th century with car chase and gun/knife fights. Enhanced by an embedded AI when one can afford it. Certainly not the best read in the series but enough to tempt me into looking at the first episodes of Altered Carbon on Netflix. [Note: the book is not to be confused with the bestselling Krakauer’s Into Thin Air, which relates the 1996 Everest disaster, soon turned into a rather poor movie. I had not realised till today that the same Krakauer wrote Into the Wild…!]

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