Tales from the Loop

Yet another indulgence during the coronavirus quarantine was watching the series Tales from the Loop (on Amazon Prime), a science-fiction show mixing the mundane with the supernatural, as far as space opera as one can imagine. No superheroes or super-villains, but simple glitches in an otherwise sleepy Midwest small town, operating a synchrotron that opens possibilities beyond the rules of physics, especially about time. A sort of minimalist dystopia. Some critics complained at the pace or the lack of plot, which is completely beyond the point imho, as the inner life of the characters overwhelms the need for action, if any, and leaves one with bittersweet regrets in the same way closing a Maupassant or a Brontë novel makes one feel sorry for the characters and their lost opportunities. Amazingly, the idea for the show started from the eerily beautiful digital paintings of Simon Stålenhag, where he inserted rusting robots and other futuristic but decaying elements in otherwise old-fashioned (I mean from the 1980’s!, with floppy disk computers!) semi-urban landscapes. The main characters are often children and teenagers, who either perceive better than their elders the surreal capacities of their environment or are yet able to question reality into a learning experience. Rarely a happy one, although the episode corresponding to the above painting is a moving exception. Each episode is directed by a different person, including Mark Romanek (who filmed the dystopian Never let me go) and Jodie Foster for the last one. Which explains for different moods from one to the next although there is never a discontinuity in the narrative. And the hauntingly beautiful music is from Philip Glass. Highly recommended!

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