Hitch’s tricks

As I was watching the first minutes of the 1944 under-rated Lifeboat by Alfred Hitchcock (and John Steinbeck as the script writer!), a series of objects floating by the lifeboat to convey the preliminary mutual sinking of an Allied boat and a Nazi U-boat contained a cover of the New Yorker. Which while being iconic sounds like a weird inclusion, given that this is the very first issue of the magazine, in February 1925, hardly the first thing I would carry across the Atlantic at war time! Maybe being iconic was the reason to keep this issue rather than a more recent one, another mystery about the great Hitch allusions and clues interseeded throughout his films.

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