Archive for 1937 Paris World’s Fair

B’day party!

Posted in Kids, Statistics, Travel, University life with tags , , , , , on August 30, 2021 by xi'an

Cerise

Posted in Travel, University life, Wines with tags , , , , , , on June 20, 2016 by xi'an

cerise

Рабо́чий и колхо́зница

Posted in Books, Kids, pictures with tags , , , , , on May 26, 2011 by xi'an

My daughter’s art project for the finals of her secondary school last week was this statue The Worker and the Kolkhoz Woman by Vera Mukhina, Вера Игнатьевна Мухина. (The title in English sounds awkward and unbalanced against the woman, contrary to the Russian or the French versions, it somehow rightly reflects the secondary role allocated the woman in the sculpture composition… I also like the fact that in Russian Рабо́чий [Rabochiy] has the same Slavic root as robot!) While being a quite massive outcome of the official socialist realism school, hence a good illustration of the propaganda run by Stalin’s regime, and while its location at the 1937 Paris World’s Fair right in front of Albert Speer’s equally propagandist Nazi pavilion, made for an interesting prefiguration of the coming war, I find the choice completely inappropriate for an art project! Most of the comments my daughter made about this piece of work were either historical (the rise of Stalinist terror in USSR, the Moscow trials, the repression of the avant-garde schools like constructivism and suprematism from the 30’s, the parallel with Germany, and the opposition with the Spanish pavilion housing Picasso’s Guernica that was painted a few days prior to the fair, &tc.) or technical (this is the first welded sculpture using stainless steel of that size, the statue was raised in 11 days in Paris, the Nazis waited for the Soviet pavilion to be completed before raising theirs higher, &tc.), and not artistic, because in fine there is little beauty and much brutality in Mukhina’s work. Apart from obvious links with La Marseillaise and The Victory of Samothrace, The Worker and the Kolkhoz Woman does not stand within a genuine school of sculpture and whatever appeal one could find in the statue is quickly polluted by the political aftertaste of the work. It was an interesting exercise on how dictatures can repress artistic schools, but this choice of artwork is inappropriate for a national exam.