Archive for Ann Lecke

ancillaries [book review]

Posted in Books, Kids, pictures, Travel with tags , , , , , , , on June 5, 2016 by xi'an


“When you’re doing something like this (…) the odds are irrelevant. You don’t need to know the odds. ”

After completing the first volume of Anne Lecke’s Ancilary books, I bought both following volumes in the trilogy. Alas these two books were quite disappointing when compared with the first one. Even though there still was some action present in those volumes, the scope was awfully limited, mostly filled with dialogues between the ship AI and characters on the spaceship and on a local planet. And endless cups of tea that bored even the tea addict in me. The space opera somewhat turned into a closet opera with about the same level of action as when brooms fall out of the said closet! The last book ends up (small spoiler) with the creation of a local republic and the move to more autonomy of the AIs involved in spaceships and space stations. There are a few interesting digs into this direction of what constitutes intelligence and sentience, but the pace is way too sluggish and I had trouble completing the books, as the excitement of the initial book was lost. I think this is another trilogy that would have truly benefited from a global editing, rather than (apparently) building from the first volume…

ancillaries [book review]

Posted in Books, Kids, pictures, Travel with tags , , , , , , , , on March 6, 2016 by xi'an


“A Radchaai would have tossed that coin. Or, more accurately, a handful of them, a dozen disks, each with its meaning and import, the pattern of their fall a map of the universe.”

How good must a novel be to win five major awards the same year?! Among which the Hugo, Nebula, Arthur C. Clarke, and Locus awards. Pretty good, I would bet, and this is clearly the case with Ann Lecke’s Ancillary Justice. Which I picked in Oxford two weeks ago mostly because of this tag. And of an unusual cover. And even because it involved the word ancillary. Actually the cover looks less unusual and artsy when put together with the next two volumes, as shown above. An obviously deeper, more literary, and all inclusive review of the whole trilogy can be found in Slate, but I have only completed the first volume. (I realised only when writing this post that some controversy comes with the Hugo Award given to this very book, raised by some conservative or worse sci’ fi’ writers, who complained that it was selected for political rather than literary reasons. Read the book before reading the arguments, and they then just fall apart as grossly political!)

“Information is security. Plans made with imperfect information are fatally flawed, will fail or succeed on the toss of a coin. “

At a first come first serve level, the story is a traditional space opera where a galactic empire methodically conquers new planets and turn the lucky survivors into new citizens, while the others are turned into brainless warriors controlled by an AI that doubles as a spaceship. The major ship in this story is called Justice of Toren and the soldiers are called ancillaries. All this very connected to the history of the Roman empire. Although this approach has presumably been tried in many other sci’fi’ novels, this feature means that the ancillaries are aware of all other connected to the AI, while retaining some degree of autonomy. And it brings very interesting interrogations on the nature of self in such a hive civilisation. Interrogations that quickly get unexpected answers [warning!, spoilers ahoy!] since one of those auxiliaries, Breq, develops an independent line of thought and eventually reaches complete libre-arbitre. While keeping his or her elite soldier abilities, which turns him or her into a ruthless avenger. I write him or her because the novel and this auxiliary are constantly unclear about the sex of the other characters, which seems to have become such a private matter that it cannot be directly mentioned in the conversation… A fairly interesting concept, once you get around this missing degree of freedom in interpreting the relations between the characters. The empire is of course governed by an emperor, called Anaander Mianaai, which has a massive schizophrenic issue in that by creating many copies of himself or herself over thousands of years, they have drifted in their personalities and now partly escape the control of the associated AI… The final chapters of the first novel see Breq fighting and killing several of those copies. (There are spaceoperaous moments in the novel, which even matter in the grand plot, but they are dealt with very lightly so that the psychological bits are the true flotsam of the novel. I am most obviously looking forward the second volume [procured thanks to ‘Og readers’ links to amazon associate!].)