blade runner 2049

As Blade Runner 2049 was shown at a local cinema in a Nuit du Cinéma special, my daughter and I took the opportunity to see the sequel to Blade Runner, despite the late hour. And both came back quite enthusiastic about it! Maybe the plot stands a bit thin at times, with too many coincidences and the evil ones being too obviously evil, but the rendering of this future of the former future LA of the original Blade Runner is amazingly complex and opening many threads of potential explanations. And many more questions, which is great. With fascinating openings into almost philosophical questions like the impossible frontier between humans and AIs or the similarly impossible definition of self… Besides, the filming, with a multiplicity of (drone) views, the use of light, from blurred white to glaring yellow and back to snow white, the photography, the musical track, almost overwhelming and more complex than Vangelis’ original, are all massively impressive. As for the quintessential question of how the sequel compares with the original film, I do not think it makes much sense: for one thing the sequel would not have been without the original, the filming has evolved with the era, from the claustrophobic and almost steam-punk film by Scott to this post-apocalyptic rendering by Villeneuve, both movies relating to Philip K Dick’s book in rather different ways (if fortunately avoiding sheep and goats!).

blade runner [book review]

As the new Blade Runner 2049 film is now out, I realised I have never read the original Philip K Dick novel, Do Androids Dream of Electric Sheep?… So, when I came by it in the wonderful Libreria Marcopolo in Venezia last month, with some time to kill waiting for a free dinner table nearby (and a delicious plate of spaghetti al nero di seppia!), I bought at last the book and read it within a couple evenings. (Plus a trip back from the airport.) While the book is fascinating, both in its construction and in its connection with the first Blade Runner movie, I am somehow disappointed now I have finished it, as I was expecting a somewhat deeper story. [Warning: spoilers to follow!] On the one hand, the post-nuclear California and the hopeless life of those who cannot emigrate to Mars are bleaker and more hopeless than Ridley Scott’s film, with the yearning of Deckard for real animals (rather than his electric sheep) a major focus of the book. And only of the book. For a reason that remains unclear to me, especially because Deckard grows more and more empathic towards androids, and not only towards the ambiguous and fascinating Rachael, while being less and less convinced of his ability to “retire” rogue androids… And of distinguishing between humans and androids. And also because he ends up nurturing a toad he spotted in a deserted location, believing it to be a real animal. The background of the society, its reliance on brainless reality shows and on a religion involving augmented reality, all are great components of the novel, although they feel a bit out-dated fifty years later. (And later than the date the story is supposed to take place.) The human sheltering and helping the fugitive androids is a “chickenhead”, term used in the book for the challenged humans unable to pass the tests for emigrating to Mars. Rather than a robot designer and geek as in the film.

On the other hand, the quasi- or near-humanity of the androids hunted by Deckard is much more better rendered in the film. (Maybe simply because it is a film and hence effortlessly conveys this humanity of actors playing androids. Just like C3PO in Star Wars!) Which connections with expressionisms à la Fritz Lang and noir movies of the 50’s are almost enough to make it a masterpiece. In the book, the androids are much more inconsistent, with repeated hints that they miss some parts of the human experience. There is no lengthy fight between Deckard and the superior (android) Roy. No final existentialist message from the later. And no rescuing of Deckard that makes the android stand ethically (and literally) above Deckard. The only android with some depth is Rachael, albeit with confusing scenes. (If not as confusing as the sequence at the alternative police station that just does not make sense. Unless Deckard himself is an android, a possibility hardly envisioned in the book,.) While Scott’s Blade Runner may seem to hammer its message a wee bit too heavily, it does much better at preserving ambiguity on who is human and who is not, and at the murky moral ground of humans versus androids. In fine, I remain more impacted by the multiple dimensions, perceptions, and uncertainties in Blade Runner.  Than in Philip K Dick’s novel. Still worth reading or re-reading against watching or re-watching these movies…

[Some book covers on this page are taken from a webpage with 23 alternative covers for Do androids dream of electronic sheep?”.]