a journal of the plague year² [600+]

Returned to Warwick for the first time in 600 days!, most pleasantly reconnecting with my colleagues there and realising some were almost as freshly back to the department as myself. But also noticed a strong difference with France in terms of wearing mask and practicing social distanciation among the students (at the University) and the general population (in the local Tesco or the train to the airport). Which may explain for the persistently high number of contaminations, when compared with neighbouring countries. Despite its high vaccination rate.

Read the second volume of Baru Cormorant, after enjoying so much the first instalment (under the Corsican relentless sun). However, it was such a disappointment, as it seemed written by a completely different author, including the style, with the story being more broken, more difficult to follow, and the characters becoming shallow and uninteresting. This is particularly true of Baru, who sent from a sharp focus on her goal in Traitor, to a purposeless floatsam in Monster. With a highly artificial rescue of her ethics in [warning, spoiler ahead!] killing her lover Tain Hu (and hundreds of others) in the first volume. I currently doubt I will buy the third one… A stormy night kept me awake and as a result help me finish the last hundred pages!

Watched Mute, dubbed a “Netflix disaster” in The Guardian! (and following the appalling Warcraft!). Which postulate of a mute character could have been rewarding, had not the characters be of cardboard consistency. And the plot so transparent most of the scenes had to be shot at night. And the cheap plagiarism of Blade Runner is simply ludicrous. I also watched Bong Joon-Ho’s Okja, a satire about the meat industry producing hippo-like pigs that I found very heavy-handed, especially in its characters.Started cooking bread on a regular basis once again, as weather is turning colder and baking also warms up our drafty kitchen! Now turning to a heavier type of loaf, mixed wheat and rye, and reducing the amount of water to make it last longer. And also made a first attempt at Okonomyaki, this tortilla-like dish made of shredded cabbage and flour that I enjoyed very much in Osaka. The result was pleasant enough but very, very far from the original, maybe due to my using (soba) buckwheat rather than plain flour. Or using regular stock rather than daishi stock.

journal of the [second] plague year [con’d]

Read The Office of Gardens and Ponds (in French), by Didier Decoin [whom John l’Enfer I read more than forty years ago, with no lasting memories!], another random book found in the exchange section of our library!  While a pastiche of Japanese travel novels, the book is quite enjoyable and reminded me of our hike on the Kumano Kodō routes, two years ago. The tale takes place in 12th Century Japan and tells of the epic travel of a widow to the capital, Kyoto, carrying live carps for the gardens of the emperor. While some sections are somewhat encyclopedic on the culture of medieval Japan [and I thus wonder how Japanese readers have reacted to this pastiche], the scenario is rather subtle and the characters have depth, incl. the dead husband. The scene of the perfume competition is particularly well-imagined and worth reading on its own. I figure I will not bring the book back. (Warning: this book was voted a 2019 winner of the Bad Sex Award!). Also read Patti Smith’s Devotion, which was one of my Xmas presents. I had never read anything but Smith’s songs, since 1976 (!) with Horses, missing by little some of her concerts as on the week I was in Rimini… The book is quite light, and not only length-wise, made of two travel diaries in (to?) Paris and in (to?) Southern France, where she visits Camus’ house, and of a short story she writes on the train. While the diaries are mildly interesting, if a bit American-Tourist-in-Paris-cliché (like this insistence to find glamour in having breakfast at Café Flore!), the story comes as a disappointment, both for being unrealistic [in the negative sense] and for reproducing the old trope of the young orphan girl becoming the mistress of a much older man [to continue skating]. The connection with Estonia reminded me of Purge, by Sofi Oksanen, a powerful novel about the occupations of Estonia by Nazis and Soviet troups, an haunting novel of a different magnitude…

Made  soba noodles with the machine, resulting into shorte-than-life noodles, due to the high percentage of buckwheat flour in the dough, still quite enjoyable in a cold salad. Also cooked a roghan josh lamb shack, along with chapatis flavoured with radish leaves [no fire alarm this time] and a vegetable dahl whose recipe I found in Le Monde the same morn. Also took advantage of the few weeks with fresh and tender asparagus sold at the local market to make salads.

Watched a few episodes of Better than Us, Лучше (чем люди), a Russian science-fiction series set in a close future with humanoid robots replacing menial workers, until one rogue version turns uncontrollable, à la Blade Runner. There are appealing aspects to the story, besides the peep into a Russian series and the pleasure of listening to Russian, about the porous frontier between human and artificial intelligence. The scenario however quickly turns into a predictable loop and I eventually lost interest. Even faster did that happen with the Irregulars of Baker Street horror series, which I simply could not stand any further (and which connection with Holmes and Watson is most tenuous).

Having registered for a vaccination to the local pharmacy, I most got surprisingly called a few days later mid-afternoon to come at once for a shot of AstraZeneca, as they had a leftover dose. And a rising share of reluctant candidates for the vaccine!, despite David’s reassurances. I am unsure this shot was done early enough to get abroad for conferences or vacations in July, but it is one thing done anyway. With no side effect so far.

a journal of the plague year [confined reviews]

Watched TV series His Dark Materials produced for the BBC, which is much much better than the earlier film, as the actors are all fabulous—first and foremost Lyra, but also Ma Costa, the Gyptian Muter Courage—, the gypsy community is given a much stronger role, the characters are deep and complex, as eg Mrs and Mr Coulter, both ready to sacrifice kids for the greater “good” without appearing as absolute monsters! The special effects are a wee bit deficient as often with BBC productions but not enough to make a case. Although I sort of cringed each time a bear moved!

Read The Voyage of the Jerle Shannara trilogy by Terry Brooks, which I noticed standing on my son’s bookshelves. The original Shannara Trilogy was one of the very first fantasy books I read in English in my undergrad years (after Lord of the Rings of course and possibly The Chronicles of Thomas Covenant), which did not leave me with an everlasting feeling of superlative literature, to say the least. This avatar of the original Sword of Shannara trilogy did nothing to improve my feelings as the plot is lazy at best, with super-powered villains suddenly acting, last second deus ex machina rescues, endless internal debates, heavy hints at treacheries and double-treacheries, and, worst of all!, intrusion of 20th century technology, e.g., computers, AIs and robots, that the far future characters make sense of. Only suitable for a time of lockdown and even then… I should have left it on the bookshelf! Incidentally, one fight scene against a cyborg was highly reminiscent of the black knight scene in Holy Grail!

Watched by chance Tarantino’s Reservoir Dogs. For the first time. And was totally un-impressed. Highly pretentious construction falling flat from being a modern reconstruction of antique dramas, endless dialogues (which could have been cut by half if removing all the occurrences of fucking from them), boring and threadbare story, and artificial characters that essentially make no sense. I cannot fathom why this film is so highly ranked..! (And even less to witness it being compared with Rashomon!)

Read [part] of Jin Yong’s Legends of the Condor Heroes (射鵰英雄傳) but, lockdown or not, I simply could not finish it. Despite its fantasy approach to Chinese martial arts, which I usually enjoy (at least in planes!), and some proximity with the Judge Dee stories by van Gulik, the story felt very contrived and somewhat out of reach, plus [not yet] Genghis Khan being depicted in a fairly positive way [at least in the part I read]. Too irrealist for my reading buds, I presume…

Cooked plenty of new dishes, thanks to the delivery of weekly farmer boxes, from radish stems & buckwheat pancakes to celery roots purées, to fregola sarda (leftovers from ISBA 2016!) con acciughe, to chard gratins, to pea pod and cauliflower core soups, to flaxseed bread and buckwheat naans (as we ran out of wheat flour). We also managed to use and survive most of the out-of-date cans and bags that had stood forgotten in the back of our cupboard… Not visiting a supermarket for two months was actually most pleasant, living very nicely from the above mentioned farmer boxes and the occasional delivery from a cheesemonger, and supplementing weekly visits to the baker with attempts at home made bread.

Read Matha Well’s Murderbot diaries, my first read on a Kindle!, for free courtesy of Tor. Starting with All Systems Red, which won the 2017 Nebula Award for Best Novella, the 2018 Hugo Award for Best Novella, the 2018 Locus Award, and the American Library Association‘s Alex Award. Very good if somewhat classical (Blade Runner anyone?!) trope of the rogue robot turned autonomous and human, so human! This is a sequence of novellas which means a fast-paced story and an efficient style. (Including a less exciting third novella, due to a lazy scenario.) More mind-candy à la John Scalzi than profound literature but quite enjoyable for a quick read during lunch or tea break! But which induced me to buy the first and incoming novel in the series,  Network Effect. (To be commented in a subsequent entry…)

Leading to (re)read the Interdependency trilogy by John Scalzi, the last volume in the series being just out. Very lazy buildup, in the traditional spirit of a few people driving the future of the entire Universe, with unlimited resources and unrestricted hacking abilities, but with funny dialogues, as usual with Scalzi. In this binge (re)read, I actually realised the frustrating intricacies of Kindle ordering as (i) I could not use my amazon.com account and hence none of my associate gains (ii) I could not merge several amazon.fr accounts and (iii) prices varied a lot between using directly the Kindle and ordering from amazon.fr…

And even growing some salads and radishes over the two months and eating them before the end of the lockdown, as the weather in Paris was quite mild most of the time. Although it meant a daily-basis fight with slugs. The arugula did not resist that well, though…

Reading Tade Thompson’s Rosewater for more than a month, having trouble keeping my concentration as the story goes in loops and not a particularly well settled plot. With a central idea of an alien race taking over humanity a few cells at a time. Which reminded me of Greg Bear’s Blood Music I read during the first year of my PhD. The book has some appeal, from being located in Nigeria 30 years from now to America having completely vanished from the map after Trump pulled the ultimate drawbridge. It won the 2019 Arthur Clarke Award after all! But I found it too hard to complete to even consider embarking upon the next two volumes on the trilogy…

blade runner 2049

As Blade Runner 2049 was shown at a local cinema in a Nuit du Cinéma special, my daughter and I took the opportunity to see the sequel to Blade Runner, despite the late hour. And both came back quite enthusiastic about it! Maybe the plot stands a bit thin at times, with too many coincidences and the evil ones being too obviously evil, but the rendering of this future of the former future LA of the original Blade Runner is amazingly complex and opening many threads of potential explanations. And many more questions, which is great. With fascinating openings into almost philosophical questions like the impossible frontier between humans and AIs or the similarly impossible definition of self… Besides, the filming, with a multiplicity of (drone) views, the use of light, from blurred white to glaring yellow and back to snow white, the photography, the musical track, almost overwhelming and more complex than Vangelis’ original, are all massively impressive. As for the quintessential question of how the sequel compares with the original film, I do not think it makes much sense: for one thing the sequel would not have been without the original, the filming has evolved with the era, from the claustrophobic and almost steam-punk film by Scott to this post-apocalyptic rendering by Villeneuve, both movies relating to Philip K Dick’s book in rather different ways (if fortunately avoiding sheep and goats!).

blade runner [book review]

As the new Blade Runner 2049 film is now out, I realised I have never read the original Philip K Dick novel, Do Androids Dream of Electric Sheep?… So, when I came by it in the wonderful Libreria Marcopolo in Venezia last month, with some time to kill waiting for a free dinner table nearby (and a delicious plate of spaghetti al nero di seppia!), I bought at last the book and read it within a couple evenings. (Plus a trip back from the airport.) While the book is fascinating, both in its construction and in its connection with the first Blade Runner movie, I am somehow disappointed now I have finished it, as I was expecting a somewhat deeper story. [Warning: spoilers to follow!] On the one hand, the post-nuclear California and the hopeless life of those who cannot emigrate to Mars are bleaker and more hopeless than Ridley Scott’s film, with the yearning of Deckard for real animals (rather than his electric sheep) a major focus of the book. And only of the book. For a reason that remains unclear to me, especially because Deckard grows more and more empathic towards androids, and not only towards the ambiguous and fascinating Rachael, while being less and less convinced of his ability to “retire” rogue androids… And of distinguishing between humans and androids. And also because he ends up nurturing a toad he spotted in a deserted location, believing it to be a real animal. The background of the society, its reliance on brainless reality shows and on a religion involving augmented reality, all are great components of the novel, although they feel a bit out-dated fifty years later. (And later than the date the story is supposed to take place.) The human sheltering and helping the fugitive androids is a “chickenhead”, term used in the book for the challenged humans unable to pass the tests for emigrating to Mars. Rather than a robot designer and geek as in the film.

On the other hand, the quasi- or near-humanity of the androids hunted by Deckard is much more better rendered in the film. (Maybe simply because it is a film and hence effortlessly conveys this humanity of actors playing androids. Just like C3PO in Star Wars!) Which connections with expressionisms à la Fritz Lang and noir movies of the 50’s are almost enough to make it a masterpiece. In the book, the androids are much more inconsistent, with repeated hints that they miss some parts of the human experience. There is no lengthy fight between Deckard and the superior (android) Roy. No final existentialist message from the later. And no rescuing of Deckard that makes the android stand ethically (and literally) above Deckard. The only android with some depth is Rachael, albeit with confusing scenes. (If not as confusing as the sequence at the alternative police station that just does not make sense. Unless Deckard himself is an android, a possibility hardly envisioned in the book,.) While Scott’s Blade Runner may seem to hammer its message a wee bit too heavily, it does much better at preserving ambiguity on who is human and who is not, and at the murky moral ground of humans versus androids. In fine, I remain more impacted by the multiple dimensions, perceptions, and uncertainties in Blade Runner.  Than in Philip K Dick’s novel. Still worth reading or re-reading against watching or re-watching these movies…

[Some book covers on this page are taken from a webpage with 23 alternative covers for Do androids dream of electronic sheep?”.]