Archive for eugenics

solidarność z Polkami

Posted in Statistics with tags , , , , , , , , , , on October 30, 2020 by xi'an

racism, discrimination and statistics – examining the history [at the RSS]

Posted in Books, Statistics, University life with tags , , , , , on October 23, 2020 by xi'an

The Royal Statistical Society is holding an on-line round table on “Racism, discrimination and statistics – examining the history” on 30 October, at 4pm UK time. The chair is RSS President Deborah Ashby and the speakers are

  • John Aldrich – chair of the RSS History Section
  • Angela Saini – science journalist
  • Stephen Senn – Fisher Memorial Trust

a journal of the plague year [lazier August reviews]

Posted in Books, Kids, pictures with tags , , , , , , , , , , , , , , , , , , , , on September 5, 2020 by xi'an

Read a wonderful collection of short stories set in the same universe and spirit as Jonathan Strange & Mr. Norrell, The Ladies of Grace Adieu, by Susanna Clarke. With the same pleasure as I read the original novel, since the style is similarly subtle and refined, with a skilled work(wo)manship in relating the stories and a bittersweet pleasure in contemplating this alternative England where some magic lingered, although in a vanishing way. The first short story is incredibly powerful, especially for being a “first story” Susanna Clarke wrote for a writing course. To quote Neil Gaiman on his reception of the story, “It was terrifying from my point of view to read this first short story that had so much assurance. It was like watching someone sit down to play the piano for the first time and she plays a sonata.” Plus the book itself is beautifully made, from its old-fashioned binding to its pastiche of 19th century Romantic drawings. (I cannot make sense of the “Grace Adieu” village name, which would mean farewell to Grace or graceful farewell in French. Or yet thank Dog if misspelled as grâce à dieu…)

Followed a should-watch suggestion from a highly positive review on the New York Times and watched The Half of it, not to be confused with The Other Half which I did not watch… Nor the other The Other Half. The story is one of a love triangle (that the NYT relates to Cyrano, rather grandiloquently!, even though the notion of writing love letter for someone else and as a result the writer falling in love… is there indeed). Taking place in a sleepy little town on the Pacific North-West, near Wenatchee. The story is far from realistic, as far as I can tell, with almost invisible adults and with senior high teenagers behaving like adults, at least for the two main female characters, most of the teens working after class while also writing essays on Sartre and Plato, and discussing Remains of the Day for its philosophical implications. A wee bit unrealistic, with some allegoric scenes such as floating head to head in a hot spring, outing their love declaration like tragic Greek comedians in a full church. But the actresses are brilliant and escape the paper-thin constriction of their character into something deeper, by conveying uncertainty and then more uncertainty while building their own life into something grander. Not the unbearable lightness of being but certainly with enough substance to reach beyond the “charming queer love comedy” summarised in The Guardian.

Ate tomatoes from the garden for almost every lunch in August as there were so many, surprising free from bugs and birds. And had a toasted squash lunch, skin included. Peppers are still at the growing stage… And my young olive tree may have irremediably suffered from the heatwave, despite regular watering.

Also per chance noticed that the one-hundred year-old man who climbed out of the window and disappeared hilarious book had been turned into a film. And had an enjoyable time watching the understated play of this hundred-year old and his hundred year story. And listening to the multilingual if mostly Swedish original sound-track. (Incidentally, yet another intrusion of the 1930s eugenism with a racialist (!) doctor sterilising the central character to stop his fascination and experimentation with explosives.)

Rewatched Manhattan Murders Mystery, which I had not seen since it came out in the early 1990s. Once I got into the spirit that this was filmed theater, rather than fixating on the (ir)realism of the plot, it became hilarious (starting with the urge to invade Poland when listening to Wagner for too long) and I could focus on references to older movies, although I must has missed the bulk of these references. For instance, the pas de deux of Allen and Keaton at the melting factory has a strong whiff of Astaire and Rogers step-dancing. The shooting scene in the movie theater is explicitly linked with Orson Wells, seen behind the screen in The Lady from Shanghai.

in the name of eugenics [book review]

Posted in Statistics with tags , , , , , , , , , , , , on August 30, 2020 by xi'an

In preparation for the JSM round table on eugenics and statistics, organised by the COPSS Award Committee, I read the 1985 book of Daniel Kevles, In the Name of Eugenics: Genetics and the Uses of Human Heredity, as recommended by Stephen Stiegler. While a large part of the book was published in The New Yorker, in which Kevles published on a regular basis, and while he abstains from advanced methodological descriptions, focussing more on the actors of this first attempt at human genetics and of the societal consequences of biased interpretations and mistaken theories, his book is a scholarly accomplishment, with a massive section of notes and numerous references. This is a comparative history of eugenics from the earliest (Francis Galton, 1865) to the current days (1984) since “modern eugenics” survived the exposure of the Nazi crimes (including imposed sterilizations that are still enforced to this day). Comparative between the UK and the US, however, hardly considering other countries, except for a few connections with Germany and the Soviet Union, albeit in the sole perspective of Muller’s sojourn there and the uneasy “open-minded” approach to Lysenkoism by Haldane. (Japan is also mentioned in connection with Neel’s study of the genetic impact of the atomic bombs.) While discussing the broader picture, the book mostly concentrates on the scientific aspects, on how the misguided attempts to reduce intelligence to IQ tests or to a single gene, and to improve humanity (or some of its subgroups) by State imposed policies perceived as crude genetic engineering simultaneously led to modern genetics and a refutation of eugenic perspectives by most if not all. There is very little about statistical methodology per, beside stories on the creation of Biometrika and the Annals of Eugenics, but much more on the accumulation of data by eugenic societies and the exploitation of this data for ideological purposes. Galton and Pearson get the lion’s share of the book, while Fisher does not get more coverage than Haldane or Penrose. Overall, I found the book immensely informative as exposing the diversity of scientific and pseudo-scientific viewpoints within eugenism and its evolution towards human genetics as a scientific endeavour.

a journal of the plague year [lazy August reviews]

Posted in Books, pictures, Running, Travel with tags , , , , , , , , , , , , , , , , , , , , , , on August 22, 2020 by xi'an

Read Blood of Empire, the final volume in the Gods of Blood and Powder trilogy. By Brian McClellan. Which I enjoyed reasonably well as bedside literature, although its weight meant it would fall at the slightest hint of sleep… It took me longer than expected to connect to the story, given I had read the previous volume a few months ago. This series is classified as “flintrock fantasy”, a category I had never heard of previous, meaning a limited amount of gunpower is used in weapons, along with the aid of magical abilities (for the happy few). The style is a wee bit heavy and repetitive, but the characters are definitely engaging if over-prone to inner dialogues… The only annoying part in the plot is the presence of a super-evil character about to be become a god, which ruins most of the balance in the story.

Had a long-pending due watch at Trainspotting T2. (Loved the NYT label as “Rated R for a bagful of vomit, mouthfuls of bigotry and nosefuls of cocaine”, obviously in the same regressive spirit as the film.) This is definitely a sequel to the first film. And hence hardly comprehensible on its own. Except for a few locations like a run-down pub on the edge of nowhere, a flat overlooking a car part dump and Spud’s high-rise welfare housing, T2 lacks the gritty vision of Edinburgh found in its forbear. And the characters have lost their toxic edge, except maybe very much maybe for the psychopath Franck. Even the de rigueur final swindle has a rosy and predictable justification. Fun nonetheless! On the (tourist) side, I enjoyed a mostly superfluous scene where Renton takes Spud running up Arthur’s Seat along its most scenic route, with an iconic end image of Edinburgh gradually fading into fog. There is also a surreal (short) scene on Rannoch Mor, with the Oban train stopping at the hikers’ stop. (I never managed to start Welsh’s books, due to their phonetic rendering of Edniburghian Scots that make reading unbearable..! By comparison, most dialogues are understandable. A funny line when the hostess welcoming tourists at Edinburgh Airport with a mock Scottish accent acknowledges she is from Slovakia.) Camera tricks like fast backward and colour filters a wee bit old-fashioned and heavy-handed, in the spirit of the first movie as if nothing had ever happened since. Maybe the moral of the story. Not looking for a potential T3, though.

Read a forgotten volume in the Bernhard Günther series of Philip Kerr, A man without breath. As usual building on historical events from Nazi Germany to set this ambivalent character at the centre of the action, which is this time the discovery and exploitation of the Katyǹ massacres by the Nazi propaganda to drive an edge between the Soviet Union and the other Allies. The book is rather uneven, with too many plots, subplots, and characters, and open criticisms of the Nazi regime between complete strangers do not ring particularly realistic. And draw attention away from their own massacres, like Babi Yar (celebrated in Dmitri Shostakovitch’s Symphony No. 13). Interestingly, given that I read the book at the time of the JSM round-table, a thread in the story links to the Spanish Civil War and the attempt by fascist doctors like Vallejo Nágera to picture left-wing Spaniards as psychiatrically degenerates, fantasying the existence of a “red” gene… (It took me a while to trace the reference in the title to Goebbels’ quote “A nation with no religion is like a man without breath.” )