the T-shirts I love [book/closet review]

When I first heard of Haruki Murakami’s book on tee-shirts, I found the concept sufficiently intriguing to start looking for the book and I eventually found on Amazon a cheap used sale that got delivered to a friend in the US (who was most perplexed by my choice!). Having gone through the book and its 110 photos of tee-shirts, I am feeling like I had a light late-evening conversation with the author and a window into the reasons why he keeps and seeks so many tees. This is a translation from Japanese, so I cannot say how colloquial Murakami was in the original, but this is most enjoyable (in a very light sense!). Having worn tee-shirts for all of my adult life (and none during my childhood), albeit not with any comparable collection, by far!, I can relate with some categories like

1. race tees (which have now almost completely vanished, being replaced with synthetic running tops), of which my favourite is the 1988 Skunk Cabbage Classic tee celebrating the 5k race organised every year by the Finger Lakes Runners Club
2. beer tees, like my favourites advertising Yellowstone’s Moose Drool brown ale [and supposedly dyed in the beer?!] and Salt Lake City Full Suspension [with the fantastically ironic motto Beers you can believe in!]
3. bars/pubs tees, like the one I bought at the Clachaig Inn, Glencoe
4. institution tees, with my favourite being the iconic U of T Austin ochre shirt with a longhorn skull
5. and, to diverge from Murakami’s surfing section, mountaineering places/brand tees, of which the homemade þe Norse Farce is the obvious selection!

And neither shared tee spotted within the published 110 selected ones, nor any one I would desperately seek.

where the wild ladies are [book review]

Where the Wild Ladies Are by Aoko Matsuda is a winner of  the 2021 World Fantasy Awards (which I bought for that reason!) and a collection of Japanese short stories that bring a new view on some traditional Japanese tales, representing a form of empowerment to the women involved in these. (Not that I knew any of them, which makes reading the new versions missing part of the subtext. Maybe the original version should have been included as well for non-local readers unfamiliar with yōkai stories. The book nonetheless contains detailed pointers to all original tales..) The title is inspired from Maurice Sendak’s Where the wild things are (#16 in Children’s Classics). And there is a short story about it, where the narrator is reminiscing his childhood reading this book while his mother’s lover (and presumably his father) is visiting. The whole collection is very good, with ghosts being almost indistinguishable from the living, sharing most of their concerns and woes, if less constrained by customs and duties. And the living accepting their intermission with no reservation or fright. This permeability of the two worlds reminded me of some Murakami short stories. (While several of the stories are connected, under the hat of a sort of ghost job agency, they can be read independently.) And wish the book would not be labelled as fantasy, given its universal message and its infinite distance from heroic fantasy or horror books.

2021 World Fantasy Awards

Here are winners for some categories of the 2021 World Fantasy Awards:

• Trouble the Saints by Alaya Dawn Johnson [novel]
• Riot Baby by Tochi Onyebuchi [novella]
• Where the Wild Ladies Are by Aoko Matsuda [collection]

Somewhat surprisingly, not only I have not read these books, although Riot Baby is sitting in my Kindle, courtesy of Tor Books, but this is also the case for most winners of the past years. The first author I could recognise is K.J. Parker, in 2013, and the first book I had read is Murakami’s Kafka on the Shore in 2006…

a journal of the plague year² [or the unbearable lightness of staying]

Read Haruki Murakami’s First Person Singular, a collection of short stories, some already published in The New Yorker, and quite diverse. Even with those I did not like much, I appreciated the enormous skill in making an uninteresting event or line of thought into something worth reading, while still keeping the thing utterly mundane. A super version of i-novel as well as a pastiche. Short stories like With the Beatles or Carnival are quite powerful. And The Stone Pillow even more. The cover of the book, with its  Shinagawa monkey reaching out for something adds to its appeal, even though the corresponding story did not really need the monkey [as a monkey].

Spent a whole Sunday morning preparing vegetables from the farmers’ market for the week, with mixed results as some turned sour before we could eat them! (No one got sick though!) And has a taste of our first strawberries [plentiful after a wet cool Spring], cherries [tasty, but which did not resist the onslaught of magpies, pigeons, and slaty-headed parakeets], rubharb, and potatoes [which grew on their own from discarded peel].

Watched Strangers, a 2017 Korean TV series. To quote the New York Times, “the murder mystery “Stranger” has less of the usual awkwardness and obviousness of many South Korean dramas as well as another big advantage: It stars the immensely likable Bae Doo-na as a fearless cop.” Indeed! Besides this central figure of Bae Doo-na, who also plays in Kingdom, the show is faster paced than others and steers away from both supernatural elements and romantic side-stories (if barely). The only annoying part is the constant upheaval of characters’ morals, who at one point or another are suspected of one crime or another. And the rushed final episode.

the 101 favourite novels of Le Monde readers

Le Monde called its readers to vote for their five favourite novels, with no major surprise in the results, except maybe Harry Potter coming up top. Before Voyage au bout de la nuit and (the predictable) A la recherche du temps perdu. And a complete unknown, Damasio’s La Horde du Contrevent, as 12th and first science fiction book. Above both the Foundation novels (16th). And Dune (32nd). And Hyperion Cantos (52). But no Jules Verne! In a sense, it reflects upon the French high school curriculum on literature that almost uniquely focus on French 19th and 20th books. (Missing also Abe, Conrad, Chandler, Dickens, Ishiguro, Joyce, Kawabata, Madame de Lafayette, Levi, Morante, Naipaul, Rabelais, Rushdie, Singer, and so many others…) Interestingly (or not), Sartre did not make it to the list, despite his literature 1953 Nobel Prize, maybe because so few read the (appalling) books of his chemins de la liberté trilogy.

I did send my vote in due time but cannot remember for certain all the five titles I chose except for Céline’s Voyage au bout de la nuit (2nd), Cormac McCarthy’s The Road (74th) and maybe Fedor Dostoievski’s Brothers Karamazov (24th). Maybe not as I may have included Barbey d’Aurevilly’s L’ensorcelée, Iain Pears’ An instance at the fingerpost, and Graham Greene’s The End of the affair, neither of which made it in the list. Here are some books from the list that would have made it to my own 101 list, although not necessarily as my first choice of titles for authors like Hugo (1793!) or Malraux (l’Espoir). (Warning: Amazon Associate links).

• Harry Potter
• Voyage au bout de la nuit
• One hundred years of solitude
• The Lord of the rings
• L’étranger
• Belle du seigneur
• Les misérables
• Mémoires d’Hadrien
• Pride and prejudices
• The unbearable lightness of being
• Foundation
• Crime and punishment
• Madame Bovary
• Le rouge et le noir
• The Brothers Karamazov
• La peste
• War and peace
• The grapes of wrath
• Les liaisons dangereuses
• Bel-Ami
• Anna Karenina
• The name of the rose
• Germinal
• To kill a mocking bird
• The three musketeers
• Kafka on the shore
• La vie mode d’emploi
• Lolita
• Wuthering heights
• Mort à crédit
• The picture of Dorian Gray
• Life and fate
• Chess story
• La chartreuse de Parme
• L’œuvre au noir
• The idiot
• L’assommoir
• The road
• Le père Goriot
• The trial
• Don Quixote
• Notre-Dame de Paris
• Illusions perdues
• The sound and the fury
• La condition humaine