Archive for Japanese nationalism

a journal of the plague year [mo’vember reviews]

Posted in Books, Kids, Mountains, pictures, Travel with tags , , , , , , , , , , , , , , , , , , , , , on December 5, 2020 by xi'an

Read a short manifest [in French], Décarcérer [Uncarcerate] written by Sylvain Lhuissier about the uselessness of the carceral system and the potential alternatives. Much easier to read than Foucault’s Surveiller et Punir, obviously, but the author is also an actor in the construction of such alternatives in France. Most interestingly, he points out that the arrival of the COVID pandemic, with overpopulated prisons being obvious hotspots, led to an almost instantaneous reduction of the carceral population thus brought below its nominal capacity, without a ensuing explosion in criminal activities.

Made a few jars of green tomato marmalade, as there were a few left when I cleaned my vegetable patch. With little sugar and some peppers to stand between marmalade and chutney. And found a bakery cooking kouignou amman almost on my bike path, although the calories input they provide would require a much longer détour..! And also had a long discussion (at a safe distance) with a tea dealer, who made me taste a unique white Pu Ehr from Laos. She also had many tips on Kunming (even though it sounds less and less likely ISBA 2020 will take place there.)

Read a touching novel [in French] by Akira Mizubayashi, Âme brisée [Broken soul], a moving story around music, deracination, lutherie, childhood memories, travelling between France, Japan and China. (Judging from the summaries of his other books, the themes sound central to the author’s work.) 

Watched a few episodes of The Magicians (although Season 1 came out in… 2015!), although I had not much enjoyed the book (volume 1). And found them an improvement, considerably so, with most characters having enough of a depth and flaws aplenty to compensate for the still terrible plot with its Narnia-esque hidden universe. The central characters Quentin and Alice are pleasantly making themselves quite antipathetic. But the inherent dependence on the weak book plot, a growing boredom (and the terrifying perspective of an enormous number of episodes!) made me stop from pursuing the experiment!

the (forty-)seven samurai (赤穂浪士)

Posted in Books, pictures, Travel with tags , , , , , , , , , , , , , , on August 25, 2019 by xi'an

During my vacations in Japan, I read the massive (1096p) book by Osaragi Jiro on the  Akō incident, with occidental title the 47 rōnins. Which I had bought in Paris before leaving. This is a romancized version of an historical event that took part in 1701 in the Genroku era. Where 47 rōnin (leaderless samurai) avenged the death of their former master Takumi no Kami ordered by the current Shôgun after Takumi no Kami stuck an official Kira Yoshinaka who had insulted him publicly. And were also condemned to commit sepuku. (As I suspected while reading the book, it was initially published in 1927-1928 as a series, which explains for its length.) This is a very famous story in the Japanese culture and there exist many versions in novels, plays, movies, one featuring the fabulous Toshirō Mifune (and another one commissioned by the Japanese military during WWII), and prints, including some by Hiroshige and Hokusai. Not only it is a great read, with a very classical style (in the French translation) and enough plots and subplots to deserve the 1096 pages!, but it also reflects [much more than in Yoshikawa’s Musashi] upon the transition from feudal to modern Japan, with the samurai class slowly dwindling out for the merchant class and a central administration. Which the central characters in the book mostly bemoan and hence praise the chivaleresque action of the 47 rōnins, fighting against superior forces, except for some who reflect on the uselessness of a warrior class (and go as far as assassinating random samurai). Interestingly, the conclusion of the real story, namely the suicide of the 47 rōnins, is not included in the book. Which links the head of the revenge to famous characters of the time, including a scholar anticipating the Meiji rise of Japanese nationalism by removing cultural and religious links to China, including the preeminence of Shintoism over Buddhism. The book is also the attention paid to seasons and gardens throughout, which is a feature I found in many Japanese books. Somewhat unsurprisingly, the story involves very few female central characters and, except for one spy, very passive roles.