Archive for Jeju Island

a journal of the plague year² [not there yet]

Posted in Books, Kids, pictures, Travel, University life, Wines with tags , , , , , , , , , , , , , , , , on November 27, 2021 by xi'an

Returned to Warwick once more, with “traffic-as-usual” at Charles de Gaulle airport, including a single border officer for the entire terminal, a short-timed fright that I actually needed a PCR test on top of my vaccine certificate to embark, due to wrong signage, a one-hour delay at departure due to foggy conditions in B’ham, and another ½ hour delay at arrival due to a shortage of staff and hence no exit stairs available! And got a tense return to B’ham as the taxi line in Warwick had vanished!

Read the first novel of P. Djèlí-Clark A Master of Djinn after reading a series of short stories and novellas of his, taking place in the same fantastic Cairo of the early 1900’s. This was enjoyable, mostly, again thanks to well-constructed characters (apart from the arch-villain) and the appeal of the magical Cairo imagined by the author. I did not feel the appearances of Raymond Poincaré or von Birsmark were really needed, though. Also kindled A history of what comes next, by Sylvain Neuvel, which I got as a free (Tor) book. Which is an interesting take on the space race, with a pair of (super-)women behind the entire thing. And a lot of connections to the actual history. I somehow got tired in the middle, even though I finished the book during my commuting to and from Warwick.

Watched within a week My Name, a dark Korean TV drama,  as I found it very good and rather original (albeit with some similarities with the excellent Jeju-based Night in Paradise). The storyline is one of a young woman, Ji Woo, seeking revenge on her father’s killer, by joining the criminal gang her father was part of and infiltrating the police (not really  a spoiler!). At the beginning, this sounded like gang glorification, hence rather unappealing, but soon things proved to be quite different from how they appeared first. The scenario is of course most unrealistic, especially the (brutal and gory) fights where the heroine takes down endless rows of gang members and where the participants almost always recover from knife injuries that should have been fatal or at least permanently damaging. And the ineffectiveness of the police in stopping the drug dealers. However, when watched as a theatrical performance, the main characters in My Name, most especially Ji Woo, are well-constructed and ambiguous enough to make this descent into darkness worth watching. (Given the conclusion of the series, I cannot imagine a second season being made.) Also had a short go at Night Teeth, which proved a complete waste of time!

journal of the [second] plague year [away]

Posted in Books, Kids, Mountains, pictures, Travel, University life, Wines with tags , , , , , , , , , , , , , , , on June 12, 2021 by xi'an

Read Fred Vargas’s Seeking Whom He May Devour (L’Homme à l’envers), which I found on a bookshelf of our vacation rental in Annecy. And got more quickly bored by the story as it is plagued with the same defects as the ones I read before, from a definitive issue with Canadians (!), to an attempt to bring supernatural causes in the story and reveal them as fake by the end of the book, to a collection of implausible and caricaturesque characters surrounded by the usual backcountry morons that would rather fit a Paasilinna novel, and to the incomprehensible intuitions of Inspector Adamsberg. I also went through the sequel to Infomocracy, Null states, albeit this was a real chore as it lacked substance and novelty (the title by itself should have been a warning!).

Watched Night in Paradise (낙원의 밤), another Korean gangster movie, which seems to repeat the trope of bad-guy-on-the-run-meets-lost-girl found in my previously watched Korean Jo-Phil: The Dawning Rage, where the main character, a crooked police officer is radically impacted after failing to save a lost teenager.  (And also in the fascinating The Wild Goose Lake.) The current film is stronger however in creating the bond between the few-words gangster on the run and the reluctant guest Jae-yeon who is on a run of a different magnitude. While the battle scenes are still grand-guignolesque (if very violent) in a Kill Bill spirit, and the gang leaders always caricaturesque, the interplay between the main characters makes Night in Paradise a pretty good film (and explains why it got selected for the Venice Film Festival of 2020). Also went through the appalling Yamakasi by Luc Besson, a macho, demagogical, sexist, simplist, non-story…

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