When I first heard of Haruki Murakami’s book on tee-shirts, I found the concept sufficiently intriguing to start looking for the book and I eventually found on Amazon a cheap used sale that got delivered to a friend in the US (who was most perplexed by my choice!). Having gone through the book and its 110 photos of tee-shirts, I am feeling like I had a light late-evening conversation with the author and a window into the reasons why he keeps and seeks so many tees. This is a translation from Japanese, so I cannot say how colloquial Murakami was in the original, but this is most enjoyable (in a very light sense!). Having worn tee-shirts for all of my adult life (and none during my childhood), albeit not with any comparable collection, by far!, I can relate with some categories like
- race tees (which have now almost completely vanished, being replaced with synthetic running tops), of which my favourite is the 1988 Skunk Cabbage Classic tee celebrating the 5k race organised every year by the Finger Lakes Runners Club
- beer tees, like my favourites advertising Yellowstone’s Moose Drool brown ale [and supposedly dyed in the beer?!] and Salt Lake City Full Suspension [with the fantastically ironic motto Beers you can believe in!]
- bars/pubs tees, like the one I bought at the Clachaig Inn, Glencoe
- institution tees, with my favourite being the iconic U of T Austin ochre shirt with a longhorn skull
- and, to diverge from Murakami’s surfing section, mountaineering places/brand tees, of which the homemade þe Norse Farce is the obvious selection!
And neither shared tee spotted within the published 110 selected ones, nor any one I would desperately seek.
As an 
Xi'an's Og 