exit strategy

The Shanghairen

a journal of the plague year² [or the unbearable lightness of staying]

Read Haruki Murakami’s First Person Singular, a collection of short stories, some already published in The New Yorker, and quite diverse. Even with those I did not like much, I appreciated the enormous skill in making an uninteresting event or line of thought into something worth reading, while still keeping the thing utterly mundane. A super version of i-novel as well as a pastiche. Short stories like With the Beatles or Carnival are quite powerful. And The Stone Pillow even more. The cover of the book, with its  Shinagawa monkey reaching out for something adds to its appeal, even though the corresponding story did not really need the monkey [as a monkey].

Spent a whole Sunday morning preparing vegetables from the farmers’ market for the week, with mixed results as some turned sour before we could eat them! (No one got sick though!) And has a taste of our first strawberries [plentiful after a wet cool Spring], cherries [tasty, but which did not resist the onslaught of magpies, pigeons, and slaty-headed parakeets], rubharb, and potatoes [which grew on their own from discarded peel].

Watched Strangers, a 2017 Korean TV series. To quote the New York Times, “the murder mystery “Stranger” has less of the usual awkwardness and obviousness of many South Korean dramas as well as another big advantage: It stars the immensely likable Bae Doo-na as a fearless cop.” Indeed! Besides this central figure of Bae Doo-na, who also plays in Kingdom, the show is faster paced than others and steers away from both supernatural elements and romantic side-stories (if barely). The only annoying part is the constant upheaval of characters’ morals, who at one point or another are suspected of one crime or another. And the rushed final episode.

delayed… [cover]

lost mathematicians of 2020