Archive for TV series

a journal of the plague year [more deconfined reviews]

Posted in Books, Kids, pictures with tags , , , , , , , , , , , , , , , , , , on July 18, 2020 by xi'an

Took a copy of Room 10 by Åke Edwardson yet again on the book sharing shelves at Dauphine. And read it within a few days, with limited enthusiasm as the story proceeds quite sluggishly, every single clue is driven to its very end, e.g. detailing the examination of security recordings for pages!, the Swedish background is mostly missing, the personal stories of the policemen prove frankly boring, and the final explanations stand way beyond a mere suspension of belief. The book is back on the shelves.

Watched the beginning of the Salvation series and quickly gave up. Because I soon realised it had nothing to do with the Peter Hamilton’s trilogy. And because the story did not seem to get anywhere, despite the impending destruction of Earth by a massive asteroid, turning into an East versus West spy story. And because the scientific aspects and characters were plain ridiculous. And also because the secondary plot about whom should be saved in case of a destruction was quite distasteful in its primitive eugenism.

Read an Indriðason I had not yet read, Sons of dust [Synir duftsins], the first book he wrote, but ironically rather repetitive on the themes of missing fathers, child abuse, social consequences of the second World War allied occupation, found in the subsequent volumes. And a rather unconvincing plot, especially from a genetic engineering perspective. (The book is not currently available in English. I read it in French.)

Eventually came to watch There will be blood, the 2007 masterpiece by Paul Anderson, with Daniel Day-Lewis rendering so impressively the descent into madness of the oil tycoon and his thirst for absolute control, loosing his adopted son in the process. And unable to stop at exposing the duplicity of the preacher whom he fought the entire film. The ending is somewhat less impressive than the rest, maybe because all is finished, but it does not diminish the raw power of this tale. And the music track is perfect, with Brahms’ Violin Concerto as a leitmotiv. A journey into oily darkness…


Posted in Books, Kids, pictures, Travel with tags , , , , , , , , , , on May 17, 2020 by xi'an

Another series I watched during quarantine is the short and powerful Unorthodox, by Anna Winger, featuring the fantastic actress Shira Haas as Etsy, fleeing her unhappy marriage and the stifling rules set by her Hasidic community in Williamsburg, New York, to seek refuge in Berlin, although ambivalent to get help from her distanced mother once there. I found the story quite moving and intense in the slow unfolding of Etsy’s progressive unraveling of her un-orthodoxy and of her desperate escape into a world she knows nothing about. While her difficulties in apprehending this new universe are well rendered, I however find the part of the story when she joins a friendly group of music students somewhat too lazy a plot, although her fight there for achieving autonomy by herself only is remarkably transcribed. I am equally quite impressed by the show immersion into the Hasidic community, which is putting a considerable effort in replacing their tradition into an historical perspective and exposing the outworldly separation between men and women, who are essentially reduced to becoming mothers. The main strength of Unorthodox is that it keeps away from manichaeism, with people stuck into a frozen tradition and not seeing the oppression it induces. As most often with fundamentalism.

the witcher

Posted in Books, Kids, pictures with tags , , , , , , , , , , , , , on January 11, 2020 by xi'an

As I read (some of) Andrzej Sapkowski‘s books, and then watched my son play the derived video game, I took the opportunity of the break to watch the eponymous Netflix series. Which I found quite decent and entertaining, given that the books were not unforgettable masterpieces but enjoyable and well-constructed. The New York Times was quite dismissive in its review of the show, seeing as a cheap copycat of Game of Thrones when the books were written earlier than Martin’s unfinished no-end-logy. The Blaviken battle scene in the first episode is certainly on a par with GoT most fighting moments, while lasting a few seconds. And the actor playing Geralt manages to convey much more in a few grunts than, say, Kit Harington’s permanent cocker spaniel sad face!!! The budget here is clearly not the same as HBO’s investment, with some exterior scenes looking a wee bit bare (just as in the BBC’s rendering of Jonathan Strange & Mr Norrel). But, again, nothing there to dim the appeal of the series (although they could have cut on the definitely gratuitous softporn moments!) and a plot gradually rising from the fragmented time line and the apparently unrelated subplots, which is also a feature of the books, made of short-stories vaguely glued together. I am hence looking for the second season, hoping the GoT curse does not extend to this series. ( also published a highly critical review of the show. And of the books, which are incidentally not published by Tor!)

good omens and bad jokes

Posted in Statistics with tags , , , , , , on July 7, 2019 by xi'an

Following the news that members of a religious sect had petitioned Netflix not to show Good Omens as they deemed the story blasphemous, mistaking Netflix for Amazon Prime!, I could not resist but engage into watching this show. While having skipped reading the original book. as I am fairly tone-deaf when it comes to Terry Pratchett’s novels. And sometimes to Neil Gaiman’s as well. The story itself reminded me very much of the later Tad Williams’ Bobby Dollar series. Which did not impress me either. While I found the concept amusing and the construction of both central characters rather tolerable, the whole story is far from funny as a whole, even though a few lines are hilarious. I find it rather hard to feel any sustained interest in the general story and any worry for the characters. Especially since, to quote the Guardian review, “every character apart from the main two is tissue-paper thin”. And it once again comes to my feeling that satire does not carry that well into fantasy…

end of the game

Posted in Books, Kids, pictures with tags , , , , , , , , , , , , , , on May 28, 2019 by xi'an

While I have not watched a large part of the Game of Thrones episodes (apart from the first season I had time to follow while in the hospital), I decided to subscribe for one [free] month to OCS to get the last and final season [unlike a NYT critic who watches the entire eight seasons in five weeks!]. And witness how far it has diverged from the books, at least those already published. The first two episodes were unbearably slow and anti-climactic, the [mentionable] worst part being the endless discussion by a chimney fire of half a dozen of the main characters who would all be better sleeping. And the antagonism between Sansa and Daenerys sounding almost childish…The last battle in Winterfel was both fantastic and disappointing, fantastic in its scale and furia and impetus, a cinematographic feat!, possibly the best in the whole series, disappointing for the terrible military choices made by the best fighters in the seven kingdoms and beyond, for the disproportionate imbalance between the living and the dead, for the whole thing depending on the two seconds it took for the Ice King to shatter  [no longer a spoiler!], and for the absurd and lengthy scene of the zombies in the castle library. I just don’t like zombie movies as I find them a easy lazy plot element, especially when they can be resuscitated over and over… They have not yet appeared (on that scale) in the books and I hope they remain dead still! Some scenes are furthermore too reminiscent of video games, which cuts even deeper into the realism (!) of the battle. The scenario of the fourth episode is definitely botched and hurried, for the sudden and radical reversal of fortune being once again so much against basic military concepts (and basic physics as well!). Contrary to most reviews I read, maybe because I had little expectation about the characters in the show, I found the fifth episode quite impressive, in its vivid description of the sack of a city, the instantaneous switch from victorious to rapist and murderer, and the helplessness of those very few who wanted to stop the slaughter of the inhabitants. (By contrast, I found most of the individual scenes appalling, except for Arya’s which remains consistent with her parabola in the plot. So far. But we could have been spared the white horse in the end!) And then the last and final episode…! Which I definitely enjoyed, primarily for the bittersweet feeling this was the last hour spent with the (surviving) characters, even for the unrealistic developments and predictable conclusions, and the feeling that some scenes were made up in someone’s grand-father’s backyard, by the same someone’s teenage nephews… Although I was hoping for a glorious ending in line with the one of Monty Python and the Holy Grail… Alas, no police van, no delegation of bankers or lawyers showed up at the eleventh hour!

[Uninteresting coincidence: in this NYT pre-finale analysis, I read the very same sentence “Power resides where people believe it resides” pronounced by Mikhail Gorbachov in the daunting Chernobyl series which I watched a few hours earlier.]